It’s been a painful handful of days, full of terrible conversations, lies, prejudices, and false equivalences. In the week since Lil Nas X released the provocative, pointedly homoerotic “ Industry Baby” music video and North Carolina rapper DaBaby regaled a Miami Rolling Loud audience with a vile quip about gay sex and AIDS between songs, conversations about homosexuality and homophobia in hip-hop that have been percolating all year have come to a head. The illusion of respect for our differences erodes. If you show too much queer attraction and self-expression, people get uncomfortable. If you coddle hip-hop’s cisgendered, heteronormative core, you can cook. Sometimes, we simply fuck off and do for self.
It’s not always like movies, where an existential threat to humanity forces us to settle our differences and soldier forward together, and some maudlin pop song soundtracks our unified efforts to save the future. The last four years have shown us that people don’t always band together when straits get dire. We’ve seen young men fight tooth and nail to defend their ability to transgress and offend at will, clinging desperately to the 20th-century social mores that centered their needs and wants.
We’ve seen antiracism pawned off as “woke supremacy.” We’ve seen elderly men weaponize political power to legislate how women are allowed to care for and live in their bodies. But as it dawns on some of us that adding more seats to the proverbial table requires sacrificing a bit of your own elbow room, relations have gotten ugly. If we wanted, we could restructure the power dynamics that bind us.
What I’ve seen in the intervening years has made me by turns more hopeful about queer representation in hip-hop and less sure I will live to see a time when the community doesn’t excuse and ignore hateful, homophobic, transphobic rhetoric. Not everyone handled these developments very well, but it felt like progress was being made, however painstaking and slight, toward greater respect for LGBTQ hip-hop fans and artists. iLoveMakonnen had just come out, and Young M.A was flourishing in New York. It's like, little shit like this shouldn't be a problem.I am by turns more hopeful about queer representation in hip-hop and less sure I will live to see a time when the community doesn’t excuse and ignore hateful, homophobic, transphobic rhetoric.įour and a half years ago, I wrote about homophobia in hip-hop culture. "Especially given my platform, where I am, the communities that I stand in between. "That's another reason why I knew that I had to do it," he said. Lil Nas X also said that he hoped his coming out would make it easier for others.
IS LIL NAS X GAY OR BI FREE
He added that Ocean's 2017 single "Provider" was a "very special song to me during this relationship I was in." "I was just getting signs, 'Okay, it's time to do this thing.' Because it's like I'm already moving forward and I'm becoming more free with everything I do, so let's take this to the next level and do this." "It was either going to be that, or what? Pretend this for the rest of my entire life?" he said. "Artists like Frank and made it easier for me to be where I am, comfortably," he said. Speaking with Zane Lowe during an Apple Music interview, Lil Nas X said that he was inspired to come out by the bravery of other singers who came out. The 21-year-old singer, real name Montero Lamar Hill, who is best known for his breakout single "Old Town Road" with Billy Ray Cyrus, first announced his sexuality in a tweet. In a recent interview, Lil Nas X discussed his 2019 coming out.